Skip to main content
Daniel S. Lee

Concerti Virtuosi

Bach’s Brandenburg Concerti

Composer

Johann Sebastian Bach
Brandenburg Concerto No. 2 in F Major, BWV 1047
Brandenburg Concerto No. 5 in D Major, BWV 1050
Concerto for Violin and Oboe in D Minor, BWV 1060R
Concerto for 3 Violins in D Major, BWV 1064R
Concerto for Oboe d’amore in A Major, BWV 1055R

Georg Philipp Telemann
Concerto for Violin, Cello, Trumpet and Strings, TWV 53:D5

Director’s Series

Award-winning violinist Daniel S. Lee, guest-directs a program of brilliant concerti featuring Bach Consort instrumentalists!

...

Director’s Series

Award-winning violinist Daniel S. Lee, guest-directs a program of brilliant concerti featuring Bach Consort instrumentalists!

Praised for his “ravishing vehemence” and “fleet-fingered, passionate… soulful performance” (The New York Times), period violinist Daniel S. Lee enjoys a varied career as a soloist, leader, collaborator, scholar, and educator. He is the founding director of the Sebastians, a period ensemble based in New York City and critically acclaimed for its “everywhere sharp-edged and engaging” (The New York Times) programs. The Sebastians’ “technical and timbral tour-de-force” (I Care If You Listen) performances won the Audience Prize at the 2012 Early Music America Baroque Performance Competition and advanced them to the finals of the 2011 York Early Music International Competition. Daniel currently serves as the concertmaster of Early Music New York, the Providence Baroque Orchestra, and the Washington National Cathedral Orchestra. In previous seasons, he performed as a soloist and guest concertmaster for the Freiburg Baroque Orchestra, the New York Baroque Incorporated, Quodlibet Ensemble, TENET, and the Yale Schola Cantorum, among others. From 2005 to 2017, he was the music director and principal conductor of the Albano Ballet in Hartford, CT.

A violino piccolo specialist, Daniel has performed as a soloist in Bach’s Brandenburg Concerto No. 1 and Cantata 140 for Trinity Wall Street, Yale University, and the New Haven Oratorio Choir. With the Sebastians, he made the modern-day premiere and recording of his own transcription of Johann Pfeiffer’s concerto. His current research explores the repertoire and performance practice of the violoncello da spalla, for which Daniel is in demand as an authoritative performer of Bach’s six Cello Suites. He performs on various historical instruments and fosters ongoing collaborative research with luthier Karl Dennis (Warren, RI) and bowmaker David Hawthorne (Waltham, MA).

He is on the early music faculty at the Yale School of Music and has offered guest lectures and masterclasses at Connecticut College, the Juilliard School, the Manhattan School of Music, Purchase College (SUNY), Stonybrook University, the University of Kansas, and the University of North Carolina at Chapel Hill. He has studied at the Juilliard School (BMus.), the Yale School of Music (MMus., AD, MDiv.), and the University of Connecticut (DMA). As an ordained minister in the Presbyterian Church, Daniel explores the intersection between arts and spirituality. He aspires to redefine the roles of sacred and secular music in relation to their intention, function, and venue. Complementing this work is his continuing study of various ancient and modern languages.

Guest Director & Violin

  • Daniel S. Lee Daniel S. Lee

Soloists

  • Tatiana Chulochnikova Tatiana Chulochnikova violin
  • Carmen Johnson-Pájaro Carmen Johnson-Pájaro violin
  • Geoffrey Burgess Geoffrey Burgess oboe & oboe d’amore
  • Margaret Owens Margaret Owens oboe
  • Josh Cohen Josh Cohen trumpet
  • Leon Schelhase Leon Schelhase harpsichord

Musicians

  • Risa Browder Risa Browder viola
  • Isaiah Chapman Isaiah Chapman viola
  • John Moran John Moran violoncello
  • Jessica Powell Eig Jessica Powell Eig violone
  • Colin St-Martin Colin St-Martin flute
  • Daphna Mor Daphna Mor recorder

Read the Program Notes

Glen S. Fukushima, underwriter

More Information