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MORE ABOUT HANDEL'S MESSIAH
Here’s the “it’s-not-Christmas” part of Messiah that offers us one of everyone’s favorite sequences of choruses in the oratorio repertory. This week’s excerpt takes us from “Surely, he hath born our griefs” to “He trusted in God.” Tenor Dann Coakwell sings the recit, “All they that see him laugh him to scorn.”
Performed at The Music Center at Strathmore
Dr. Dana T. Marsh, conductor
Soprano
Sonya Headlam, soloist
Jaely Chamberlain Turner
Laura Choi Stuart
Crossley Hawn
Sara MacKimmie
Margot Rood
Alto/Countertenor
Patrick Dailey, soloist
Julie Bosworth
Sarah Davis Issaelkhoury
Kristen Dubenion-Smith
Derek Greten-Harrison
Barbara Hollinshead
Tenor
Dann Coakwell, soloist
Aaron Cates
David Evans
Jason Rylander
Andrew Sauvageau
John Logan Wood
Bass
Jonathan Woody, soloist
Joshua Brown
Karl Hempel
Carter Sligh
Gilbert Spencer
Ross Tamaccio
Violin I
Andrew Fouts
Freya Creech
Marlisa del Cid Woods
Jude Ziliak
Carmen Johnson-Pájaro
Violin II
Natalie Rose Kress
Gersh Chervinsky
Leslie Nero
Caroline Levy
Caitlin Cribbs
Viola
Risa Browder
Scott McCormick
Asa Zimmerman
Violoncello
John Moran
Wade Davis
Violone
Jessica Powell Eig
Harpsichord
Paula Maust
Organ
Patrick Merrill
Lute
Dušan Balarin
Oboe
Sarah Schilling
Sarah Weiner
Bassoon
C. Keith Collins
Kelsey Schilling
Trumpet
Josh Cohen
Dillon Parker
Timpani
Michelle Humphreys
Rehearsal Pianist
Wei-Han Wu
Video Produced by Mark Willey
MORE ABOUT HANDEL'S "MESSIAH"
From the March 2023 performance of Handel’s Messiah at Strathmore, we’re delighted to share this excerpt featuring bass Jonathan Woody’s powerful rendition of “Why do the nations so furiously rage together,” followed by the chorus, “Let us break their bonds asunder.” Messiah aficionados will notice that the bass aria is performed in this case—da capo—which means double the fun for Mr. Woody and for the rest of us who get to listen!
Performed at The Music Center at Strathmore
Dr. Dana T. Marsh, conductor
Soprano
Sonya Headlam, soloist
Jaely Chamberlain Turner
Laura Choi Stuart
Crossley Hawn
Sara MacKimmie
Margot Rood
Alto/Countertenor
Patrick Dailey, soloist
Julie Bosworth
Sarah Davis Issaelkhoury
Kristen Dubenion-Smith
Derek Greten-Harrison
Barbara Hollinshead
Tenor
Dann Coakwell, soloist
Aaron Cates
David Evans
Jason Rylander
Andrew Sauvageau
John Logan Wood
Bass
Jonathan Woody, soloist
Joshua Brown
Karl Hempel
Carter Sligh
Gilbert Spencer
Ross Tamaccio
Violin I
Andrew Fouts
Freya Creech
Marlisa del Cid Woods
Jude Ziliak
Carmen Johnson-Pájaro
Violin II
Natalie Rose Kress
Gersh Chervinsky
Leslie Nero
Caroline Levy
Caitlin Cribbs
Viola
Risa Browder
Scott McCormick
Asa Zimmerman
Violoncello
John Moran
Wade Davis
Violone
Jessica Powell Eig
Harpsichord
Paula Maust
Organ
Patrick Merrill
Lute
Dušan Balarin
Oboe
Sarah Schilling
Sarah Weiner
Bassoon
C. Keith Collins
Kelsey Schilling
Trumpet
Josh Cohen
Dillon Parker
Timpani
Michelle Humphreys
Rehearsal Pianist
Wei-Han Wu
Video Produced by Mark Willey
MORE ABOUT BACH'S CREDO: CONFITEOR AND ET EXPECTO
We’re delighted to share another excerpt from our recent performance of Bach’s Mass in B Minor, performed at the concluding Director’s Series concert on April 30, 2023. Featured this week are selections from the Credo: Confiteor and Et expecto. We hope you enjoy!
Performed at National Presbyterian Church, Washington DC.
Dr. Dana T. Marsh, Artistic Director
Soprano I
Paulina Francisco, soloist
Alicia DePaolo
Katelyn Jackson
Sara MacKimmie
Elijah McCormack
Soprano II
Crossley Danielle Hawn, soloist
Elissa Edwards
Susan Kavinski
Genevieve McGahey
Kate Vetter-Cain
Alto/Countertenor
Roger O. Isaacs, soloist
Hannah Baslee
Julie Bosworth
Sarah Davis Issaelkhoury
Derek Greten-Harrison
Barbara Hollinshead
Tenor
Kyle Stegall, soloist
Ryan C. Connelly
Matthew Loyal Smith
Robert Petillo
Jason Rylander
Bass
Mischa Bouvier, soloist
Karl Hempel
Ian Pomerantz
David Rugger
Ross Tamaccio
Violin I
Andrew Fouts, concertmaster
Carmen Johnson-Pájaro
Natalie Kress
Leslie Nero
Gersh Chervinsky
Violin II
Tatiana Chulochnikova
Freya Creech
Allison Moore
Caroline Levy
Viola
Risa Browder
Scott McCormick
Asa Zimmerman
Violoncello
John Moran
Wade Davis
Violone
Jessica Powell Eig
Harpsichord
Adam Pearl
Organ
Paula Maust
Flute
Colin St-Martin
Kathryn Roth
Oboe
Geoffrey Burgess
Margaret Owens
Anna Marsh
Bassoon
Anna Marsh, dbl. oboe
Kelsey Schilling
Horn
Brad Tatum
Trumpet
Josh Cohen
Jason Dovel
Dennis Anthony Ferry
Timpani
Michelle Humphreys
Video Produced by Mark Willey
MORE ABOUT PART I OF BACH'S MISSA IN B MINOR (KYRIE-GLORIA)
This week, the Washington Bach Consort is delighted to share more than 20 minutes of selections from Part I of Bach’s Missa in B minor (Kyrie-Gloria), recorded live at National Presbyterian Church in the final Director’s Series performance of the 2022-2023 season. Bach’s B Minor Mass is always a life-affirming event, giving us some of the most profoundly moving music ever composed.
Performed at National Presbyterian Church, Washington DC.
Dr. Dana T. Marsh, Artistic Director
Soprano I
Paulina Francisco, soloist
Alicia DePaolo
Katelyn Jackson
Sara MacKimmie
Elijah McCormack
Soprano II
Crossley Danielle Hawn, soloist
Elissa Edwards
Susan Kavinski
Genevieve McGahey
Kate Vetter-Cain
Alto/Countertenor
Roger O. Isaacs, soloist
Hannah Baslee
Julie Bosworth
Sarah Davis Issaelkhoury
Derek Greten-Harrison
Barbara Hollinshead
Tenor
Kyle Stegall, soloist
Ryan C. Connelly
Matthew Loyal Smith
Robert Petillo
Jason Rylander
Bass
Mischa Bouvier, soloist
Karl Hempel
Ian Pomerantz
David Rugger
Ross Tamaccio
Violin I
Andrew Fouts, concertmaster
Carmen Johnson-Pájaro
Natalie Kress
Leslie Nero
Gersh Chervinsky
Violin II
Tatiana Chulochnikova
Freya Creech
Allison Moore
Caroline Levy
Viola
Risa Browder
Scott McCormick
Asa Zimmerman
Violoncello
John Moran
Wade Davis
Violone
Jessica Powell Eig
Harpsichord
Adam Pearl
Organ
Paula Maust
Flute
Colin St-Martin
Kathryn Roth
Oboe
Geoffrey Burgess
Margaret Owens
Anna Marsh
Bassoon
Anna Marsh, dbl. oboe
Kelsey Schilling
Horn
Brad Tatum
Trumpet
Josh Cohen
Jason Dovel
Dennis Anthony Ferry
Timpani
Michelle Humphreys
Video Produced by Mark Willey
MORE ABOUT BACH'S "JAUCHZET GOTT, IN ALLEN LANDEN," BWV 51
We’re delighted to share the final two movements of Bach’s joyous “Jauchzet Gott, in allen Landen,” BWV 51, sung and played with jubilant flair by Washington Bach Consort artists Katelyn Jackson, soprano; Tatiana Chulochnikova and Natalie Kress, violins; and Josh Cohen, trumpet. Directed by Dr. Dana Marsh, this concert completed both the Noontime Cantata Series and the entire 2022–2023 season!
Performed at Church of the Epiphany, Washington DC.
Dr. Dana T. Marsh, conductor
Katelyn Grace Jackson, soprano soloist
Josh Cohen, trumpet soloist
Violin I
Tatiana Chulochnikova
Gersh Chervinsky
Violin II
Natalie Kress
Freya Creech
Violoncello
John Moran
Violone
Jessica Powell Eig
Organ
Adam Pearl
MORE ABOUT BACH'S "ET RESURREXIT"
In the ecstatic conclusion of our 45th season, we offer an excerpt from our final Director’s Series performance—one of the most sublimely joyful peaks to be found in Bach’s Mass in B minor: “Et resurrexit.” Many congratulations to all who performed in that memorable, sold-out concert!
Recorded at National Presbyterian Church, Washington, DC
Dr. Dana T. Marsh, conductor
Soprano I
Paulina Francisco, soloist
Alicia DePaolo
Katelyn Jackson
Sara MacKimmie
Elijah McCormack, soloist
Soprano II
Crossley Danielle Hawn
Elissa Edwards
Susan Kavinski
Genevieve McGahey
Kate Vetter-Cain
Alto/Countertenor
Roger O. Isaacs, soloist
Hannah Baslee
Julie Bosworth
Sarah Davis Issaelkhoury
Derek Greten-Harrison
Barbara Hollinshead
Tenor
Kyle Stegall, soloist
Ryan C. Connelly
Matthew Loyal Smith
Robert Petillo
Jason Rylander
Bass
Mischa Bouvier, soloist
Karl Hempel
Ian Pomerantz
David Rugger
Ross Tamaccio
Violin I
Andrew Fouts, concertmaster
Carmen Johnson-Pájaro
Natalie Kress
Leslie Nero
Gersh Chervinsky
Violin II
Tatiana Chulochnikova
Freya Creech
Allison Moore
Caroline Levy
Viola
Risa Browder
Scott McCormick
Asa Zimmerman
Violoncello
John Moran
Wade Davis
Violone
Jessica Powell Eig
Harpsichord
Adam Pearl
Organ
Paula Maust
Flute
Colin St-Martin
Kathryn Roth
Oboe
Geoffrey Burgess
Margaret Owens
Anna Marsh
Bassoon
Anna Marsh, dbl. oboe
Kelsey Schilling
Horn
Brad Tatum
Trumpet
Josh Cohen
Jason Dovel
Dennis Anthony Ferry
Timpani
Michelle Humphreys
MORE ABOUT BACH'S "CHRISTMAS ORATORIO, PART V
The second of our selections from Bach’s Christmas Oratorio features the opening four movements of Part V. We hope that you’ve had a wonderful holiday season and wish you a very happy 2023!
Recorded at Music Center at Strathmore, North Bethesda, MD
Washington Bach Consort
Dr. Dana T. Marsh, Artistic Director
Soprano
Elijah McCormack, soloist
Katelyn Grace Jackson
Amy Nicole Broadbent
Sara MacKimmie
Margot Rood
Kate Vetter Cain
Alto
Kristen Dubenion Smith, soloist
Hannah Baslee
Sarah Davis Issaelkhoury
Derek Greten-Harrison
Barbara Hollinshead
Sylvia Leith
Tenor
Jacob Perry, Jr.,
soloist & Evangelist
David Evans
Patrick Kilbride
Matthew Loyal Smith
Oliver Mercer
Robert Petillo
Andrew Sauvageau
Bass
Enrico Lagasca, soloist
Joshua Brown
Karl Hempel
Ian Pomerantz
Gilbert Spencer
Jason Widney
Violin I
Andrew Fouts
Natalie Rose Kress
Leslie Nero
Freya Creech
Violin II
Tatiana Chulochnikova
Gail Hernández Rosa
Caroline Levy
Annie Loud
Viola
Daniel Elyar
Marika Holmqvist
Scott McCormick
Violoncello
John Moran
Wade Davis
Violone
Jessica Powell Eig
Motomi Igarashi
Flute
Colin St-Martin
Kathryn Roth
Oboe
Geoffrey Burgess
Margaret Owens
Fatma Daglar
Sarah Schilling
Bassoon
Anna Marsh
Trumpet
Josh Cohen
David Puckhoff
Dennis Anthony Ferry
Timpani
Michelle Humphreys
Harpsichord
Adam Pearl
Organ
Leon Schelhase
MORE ABOUT BACH'S "CHRISTMAS ORATORIO, PART II"
Marking the completion of the Christmas season, we offer two selections from our December performance of Bach’s Christmas Oratorio. The first of these presents the concluding recitative and chorus movements of Part II.
Recorded at Music Center at Strathmore, North Bethesda, MD
Washington Bach Consort
Dr. Dana T. Marsh, Artistic Director
Soprano
Elijah McCormack, soloist
Katelyn Grace Jackson
Amy Nicole Broadbent
Sara MacKimmie
Margot Rood
Kate Vetter Cain
Alto
Kristen Dubenion Smith, soloist
Hannah Baslee
Sarah Davis Issaelkhoury
Derek Greten-Harrison
Barbara Hollinshead
Sylvia Leith
Tenor
Jacob Perry, Jr.,
soloist & Evangelist
David Evans
Patrick Kilbride
Matthew Loyal Smith
Oliver Mercer
Robert Petillo
Andrew Sauvageau
Bass
Enrico Lagasca, soloist
Joshua Brown
Karl Hempel
Ian Pomerantz
Gilbert Spencer
Jason Widney
Violin I
Andrew Fouts
Natalie Rose Kress
Leslie Nero
Freya Creech
Violin II
Tatiana Chulochnikova
Gail Hernández Rosa
Caroline Levy
Annie Loud
Viola
Daniel Elyar
Marika Holmqvist
Scott McCormick
Violoncello
John Moran
Wade Davis
Violone
Jessica Powell Eig
Motomi Igarashi
Flute
Colin St-Martin
Kathryn Roth
Oboe
Geoffrey Burgess
Margaret Owens
Fatma Daglar
Sarah Schilling
Bassoon
Anna Marsh
Trumpet
Josh Cohen
David Puckhoff
Dennis Anthony Ferry
Timpani
Michelle Humphreys
Harpsichord
Adam Pearl
Organ
Leon Schelhase
MORE ABOUT "O SING UNTO THE LORD"
The Washington Bach Consort wishes a joyous and Merry Christmas to all who celebrate! Our musical offering from the recent program, Orpheus Britannicus, is not a Christmas carol or an anthem about the Nativity. However, the text of Henry Purcell’s “O sing unto the Lord” is Psalm 96—which is liturgically assigned to Christmas Eve. This captivating work was one of seven commissioned in 1687/88 by the Rev’d John Gostling, renowned basso profundo colleague of Purcell’s in the Chapel Royal. This performance features the Bach Consort and Jonathon Adams (bass), with Amy Broadbent (soprano), Clifton Massey (countertenor), and Matthew Loyal Smith (tenor). Dana Marsh conducts.
Recorded at National Presbyterian Church, Washington, DC
Washington Bach Consort
Dr. Dana T. Marsh, Artistic Director
SOPRANO
Amy Nicole Broadbent, soloist
Julie Bosworth
Jaely Chamberlain Turner
Alicia DePaolo
Susan Lewis Kavinski
Sara MacKimmie
Margot Rood
ALTO
Clifton Massey, soloist
Hannah Baslee
Kristen Dubenion-Smith
Barbara Hollinshead
Sylvia Leith
P. Lucy McVeigh
TENOR
Matthew Loyal Smith, soloist
Ryan C. Connelly
David Evans
Patrick Kilbride
Jacob Perry, Jr.
Jason Rylander
BASS
Jonathon Adams, soloist
Jason Widney, soloist
Joshua Brown
Ian Pomerantz
David Rugger
Ross Tamaccio
VIOLIN I
Andrew Fouts, concertmaster
Marika Holmqvist
Gail Hernández Rosa
Natalie Kress
VIOLIN II
Tatiana Chulochnikova
Marlisa del Cid Woods
Leslie Nero
Freya Creech
VIOLA
Risa Browder
Scott McCormick
Isaiah Chapman
BASS VIOLIN
John Moran
Wade Davis
Alexa Haynes-Pilon
VIOLON
Jessica Powell Eig
OBOE & RECORDER
Geoffrey Burgess
Margaret Owens
TRUMPET
Josh Cohen
Jason Dovel
TIMPANI
Michelle Humphreys
HARPSICHORD & ORGAN
Paula Maust
LUTE & THEORBO
William Simms
MORE ABOUT "HAIL! BRIGHT CECILIA"
Written only three years before the composer’s death, this is one of Purcell’s finest large-scale works, set to a text by Nicholas Brady. After a brilliant opening symphony and chorus follows the duet, “Hark, each tree” sung here by Clifton Massey (countertenor) and Jonathon Adams (bass); then follows the iconic recitative/arioso, “‘Tis nature’s voice” sung by Clifton Massey. The excerpt concludes with an exhilarating chorus, “Soul of the world.” We hope you enjoy listening to this as much as the Consort enjoyed performing it!
Recorded at National Presbyterian Church, Washington, DC
Washington Bach Consort
Dr. Dana T. Marsh, Artistic Director
SOPRANO
Amy Nicole Broadbent, soloist
Julie Bosworth
Jaely Chamberlain Turner
Alicia DePaolo
Susan Lewis Kavinski
Sara MacKimmie
Margot Rood
ALTO
Clifton Massey, soloist
Hannah Baslee
Kristen Dubenion-Smith
Barbara Hollinshead
Sylvia Leith
P. Lucy McVeigh
TENOR
Matthew Loyal Smith, soloist
Ryan C. Connelly
David Evans
Patrick Kilbride
Jacob Perry, Jr.
Jason Rylander
BASS
Jonathon Adams, soloist
Jason Widney, soloist
Joshua Brown
Ian Pomerantz
David Rugger
Ross Tamaccio
VIOLIN I
Andrew Fouts, concertmaster
Marika Holmqvist
Gail Hernández Rosa
Natalie Kress
VIOLIN II
Tatiana Chulochnikova
Marlisa del Cid Woods
Leslie Nero
Freya Creech
VIOLA
Risa Browder
Scott McCormick
Isaiah Chapman
BASS VIOLIN
John Moran
Wade Davis
Alexa Haynes-Pilon
VIOLON
Jessica Powell Eig
OBOE & RECORDER
Geoffrey Burgess
Margaret Owens
TRUMPET
Josh Cohen
Jason Dovel
TIMPANI
Michelle Humphreys
HARPSICHORD & ORGAN
Paula Maust
LUTE & THEORBO
William Simms
MORE ABOUT “MY HEART IS INDITING,” (Z. 30)
Here is an excerpt from a rarely performed work by Henry Purcell, “My Heart is Inditing,” (Z.30), first performed in Westminster Abbey for the coronation of King James II in 1685. The work evinces some of Purcell’s very finest string writing (played by the English Court’s strings, modeled on the French Vingt-Quatre Violins du Roi), also including some of the composer’s most beautiful writing for vocal ensemble. The piece also marks the first performance of this particular coronation text at such an occasion. An exquisite piece—we hope you enjoy the excerpt! Stay tuned—a new video yet to come for St. Cecilia’s Day, November 22!
Recorded at National Presbyterian Church, Washington, DC
Washington Bach Consort
Dr. Dana T. Marsh, Artistic Director
SOPRANO
Amy Nicole Broadbent, soloist
Julie Bosworth
Jaely Chamberlain Turner
Alicia DePaolo
Susan Lewis Kavinski
Sara MacKimmie
Margot Rood
ALTO
Clifton Massey, soloist
Hannah Baslee
Kristen Dubenion-Smith
Barbara Hollinshead
Sylvia Leith
P. Lucy McVeigh
TENOR
Matthew Loyal Smith, soloist
Ryan C. Connelly
David Evans
Patrick Kilbride
Jacob Perry, Jr.
Jason Rylander
BASS
Jonathon Adams, soloist
Jason Widney, soloist
Joshua Brown
Ian Pomerantz
David Rugger
Ross Tamaccio
VIOLIN I
Andrew Fouts, concertmaster
Marika Holmqvist
Gail Hernández Rosa
Natalie Kress
VIOLIN II
Tatiana Chulochnikova
Marlisa del Cid Woods
Leslie Nero
Freya Creech
VIOLA
Risa Browder
Scott McCormick
Isaiah Chapman
BASS VIOLIN
John Moran
Wade Davis
Alexa Haynes-Pilon
VIOLON
Jessica Powell Eig
OBOE & RECORDER
Geoffrey Burgess
Margaret Owens
TRUMPET
Josh Cohen
Jason Dovel
TIMPANI
Michelle Humphreys
HARPSICHORD & ORGAN
Paula Maust
LUTE & THEORBO
William Simms
MORE ABOUT "GLORIA" MOVEMENT
From the opening of our chamber series in October 2021, enjoy this delicious excerpt from the “Gloria” movement of Marc-Antoine Charpentier’s “Missa Assumpta est Maria” (1702). This glorious music gives the listener all that is best about the French Baroque, compressed into one Mass! 10 singers, organ, theorbo, flutes, and a consort of viols, crowned with a pardessus de viole!
Washington Bach Consort
Dr. Dana T. Marsh, Artistic Director
Vocalists:
Margaret Carpenter Haigh & Amy Nicole Broadbent, sopranos
Sylvia Leith & Andrew Rader, altos
Jacob Perry, Jr. & Matthew Loyal Smith, tenors
Aaron Cain & Ian Pomerantz, baritones
Mark Duer & Edmund Milly, basses
Instrumentalists:
Colin St-Martin & Kathryn Roth, flutes
Joanna Blendulf, Leslie Nero, Niccolo Seligmann & Amy Domingues, viols
Jessica Powell Eig, violone
William Simms, theorbo
John Walthausen, organ
MORE ABOUT DEVOTION & CONTEMPLATION
Devotion & Contemplation
Membra Jesu nostri, BuxWV 75
Thursday, May 20, 2021 at 8 p.m. on YouTube
Recorded at The Franciscan Monastery
Dieterich Buxtehude (c.1637/39–1707)
Membra Jesu nostri, BuxWV 75
The North German composer Dieterich Buxtehude (c.1637/39–1707) was held in such high reverence by the 20-year-old Johann Sebastian Bach that he walked 250 miles from Arnstadt to Lübeck to hear the great organist/composer. Membra Jesu nostri is an exquisite cycle of seven short cantatas, each a contemplation of a different part of the body of Christ. Derived from a thirteenth-century poem, the work evinces a vast spectrum of divinely inspired emotion and introspective beauty.
Vocalists:
Margot Rood & Sara MacKimmie, sopranos; Reginald Mobley, countertenor; Jacob Perry, Jr., tenor; Jonathan Woody, bass
Instrumentalists:
Julie Andrijeski & David McCormick, violins; Amy Domingues, John Moran, Leslie Nero & Niccolo Seligmann, violas da gamba; Jessica Powell Eig, viola da gamba & violone; Adam Pearl, organ