Bach’s Christmas Oratorio
The Christmas Story Parts: 1, 2, 4, 5, 6
Date & Location
Composer
Johann Sebastian Bach
Weihnachtsoratorium, BWV 248
Director’s Series
Bach’s Christmas Oratorio offers a reverent telling of the season’s story, following the rhythm of the feast days: the Nativity (Dec 25), the angels’ announcement to the shepherds (Dec 26), the Naming (Jan 1), the Magi’s journey (Jan 3), and the Epiphany (Jan 6). In this performance of Parts I, II, IV, V, VI, Evangelist Thomas Cooley delivers the Gospel narrative with distinctive clarity. Bach gives each moment its fitting character: choruses elevate the feast‑day praise with trumpets and timpani, arias draw us close in reflection, and chorales steady the heart in the voice of community. Rather than mere spectacle, the oratorio offers welcome space for gratitude and seasonal joy. In 2025, Washington Classical Review recognized the Consort’s Christmas Oratorio as the year’s “best Christmas concert.”
...Director’s Series
Bach’s Christmas Oratorio offers a reverent telling of the season’s story, following the rhythm of the feast days: the Nativity (Dec 25), the angels’ announcement to the shepherds (Dec 26), the Naming (Jan 1), the Magi’s journey (Jan 3), and the Epiphany (Jan 6). In this performance of Parts I, II, IV, V, VI, Evangelist Thomas Cooley delivers the Gospel narrative with distinctive clarity. Bach gives each moment its fitting character: choruses elevate the feast‑day praise with trumpets and timpani, arias draw us close in reflection, and chorales steady the heart in the voice of community. Rather than mere spectacle, the oratorio offers welcome space for gratitude and seasonal joy. In 2025, Washington Classical Review recognized the Consort’s Christmas Oratorio as the year’s “best Christmas concert.”
Soloists
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Clara Rottsolk soprano
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Janna Critz alto
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Thomas Cooley tenor and Evangelist
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Edward Vogel bass
Suzanne R. & Robert L. McDowell Jr., Mary Ann Gardner, Tamera Luzzatto & Alpheus Fair, underwriters