St. John Passion
The Divine Ordeal
Date & Location
Composer
Johann Sebastian Bach
Johannes-Passion, BWV 245
Director’s Series
Composed for Good Friday 1724 and revised through several Leipzig versions, Bach’s St. John Passion unfolds in two parts, bringing together Gospel narration, expressive arias, and chorales long familiar to Bach’s congregation. Tenor Gregório Taniguchi’s “emotionally piercing” Evangelist recounts the scenes of John 18–19 with gripping immediacy, while the chorus and orchestra animate the crowd scenes and offer reflective commentary as the story unfolds. Through this balance of urgency and reflection, this epic work speaks across centuries with a clarity that feels unexpectedly present today.
...Director’s Series
Composed for Good Friday 1724 and revised through several Leipzig versions, Bach’s St. John Passion unfolds in two parts, bringing together Gospel narration, expressive arias, and chorales long familiar to Bach’s congregation. Tenor Gregório Taniguchi’s “emotionally piercing” Evangelist recounts the scenes of John 18–19 with gripping immediacy, while the chorus and orchestra animate the crowd scenes and offer reflective commentary as the story unfolds. Through this balance of urgency and reflection, this epic work speaks across centuries with a clarity that feels unexpectedly present today.
Soloists
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Gregório Taniguchi Evangelist
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Enrico Lagasca Christus
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Edmund Milly Pilate
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Amy Nicole Broadbent soprano
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Sylvia Leith alto
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Jacob Perry Jr. tenor
The Honorable & Mrs. John D. Rockefeller IV, Barbara Bankoff & Robert Crandall, Hope P. McGowan, underwriters