PERFORMANCE
Te Deum!
Sacred Grand Motets of Lully and Charpentier
Sunday, March 10, 2024 at 4:00 P.M.
National Presbyterian Church
Washington, DC
Sacred Grand Motets of Jean-Baptiste Lully and Marc-Antoine Charpentier
Te Deum, H.146
Jean-Baptiste Lully:
Thesée, Marche Act 1/9, LWV 51
Notus in Judaea, LWV 77/17
O lachrymae, LWV 26
O dulcissime Domine, LWV 77/9
Thesée, “Entrance of Warriors” Act 1/10
Exaudiat te, Dominus, LWV 77/15
Marc-Antoine Charpentier:
Marche de Triomphe, H. 547
Litanies de la Vierge, H. 83
Motet pour les Trespasses: Miseremini mei, H. 311
Deuxieme Aire de Triomphe pour Trompettes, H. 547
Te Deum, H. 164
Soloists:
Margaret Carpenter Haigh
soprano
Margot Rood
soprano
James Reese
haute-contre
Jacob Perry Jr.
tenor
Ian Pomerantz
bass
Ross Tamaccio
bass
MORE ABOUT THE PERFORMANCE
Margaret Carpenter Haigh, soprano
Margot Rood, soprano
James Reese, haute-contre
Jacob Perry Jr., tenor
Ian Pomerantz, bass
Ross Tamaccio, bass
Read the Program Notes
Running time: 150 minutes, including intermission
Join us for Talking Bach at 3 p.m. The series of free pre-concert lectures by noted Bach scholar, Michael Marissen, are presented one hour before Director’s Series performances. In this preconcert talk, Michael will explore “Bach and the French Connection,” via several spectacular musical examples, the far-reaching influence of the composer Jean-Baptiste Lully and how Bach nonetheless made the French baroque style into something entirely his own. Learn More»
Helen H. McConnell, underwriter
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