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CANTATA 300

Leipzig Cantatas of 1725

National Presbyterian Church

Composer

Johann Sebastian Bach

Director’s Series

This celebratory opening event uniquely commemorates the 300th anniversary of four of Bach’s finest cantatas, highlighting the rarely performed Dramma per Musica, “Zerreißet, zersprenget, zertrümmert,” commissioned in 1725 by the University of Leipzig with a classical text adapted by Picander, Bach’s longtime collaborator and librettist. The affective range of expression achieved across these works is astonishing, revealing Bach in ways that our audience will experience live for the first time!

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Director’s Series

This celebratory opening event uniquely commemorates the 300th anniversary of four of Bach’s finest cantatas, highlighting the rarely performed Dramma per Musica, “Zerreißet, zersprenget, zertrümmert,” commissioned in 1725 by the University of Leipzig with a classical text adapted by Picander, Bach’s longtime collaborator and librettist. The affective range of expression achieved across these works is astonishing, revealing Bach in ways that our audience will experience live for the first time!

Gott, der Herr ist Sonn und Schild, BWV 79
Ihr werdet weinen und heulen, BWV 103
Wer mich liebet, der wird mein Wort halten, BWV 74
Dramma per Musica: Zerreißet, zersprenget, zertrümmert die Gruft, BWV 205

Soloists

  • Elijah McCormack Elijah McCormack male soprano
  • Reginald Mobley Reginald Mobley alto
  • Andrew Bearden Brown Andrew Bearden Brown tenor
  • Edward Vogel Edward Vogel bass

Helen H. McConnell and Tamera Luzzatto & Alpheus Fair, underwriters

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