French Devotion in the Sainte-Chapelle
Charpentier’s Missa Assumpta est Maria
Date & Location
Composer
Marc-Antoine Charpentier
Missa Assumpta est Maria, H 11
Chamber Series
Marc Antoine Charpentier’s final mass setting, Missa Assumpta est Maria, was written at the end of his life when he was Master of Music at the Sainte-Chapelle, King Louis XIV’s royal chapel in Paris. We hear Charpentier at his best and most refined in this work, with tonal language and expressive rhetoric that deliver everything performers admire most about the French Baroque style. It’s the most superb music you’ve never heard!
...Chamber Series
Marc Antoine Charpentier’s final mass setting, Missa Assumpta est Maria, was written at the end of his life when he was Master of Music at the Sainte-Chapelle, King Louis XIV’s royal chapel in Paris. We hear Charpentier at his best and most refined in this work, with tonal language and expressive rhetoric that deliver everything performers admire most about the French Baroque style. It’s the most superb music you’ve never heard!
Vocalists
- Margaret Carpenter Haigh soprano
- Amy Nicole Broadbent soprano
- Sylvia Leith alto
- Andrew Rader alto
- Jacob Perry Jr. tenor
- Matthew Loyal Smith tenor
- Aaron Cain baritone
- Ian Pomerantz baritone
- Mark Duer bass
- Edmund Milly bass
Instrumentalists
- Colin St-Martin flute
- Kathryn Roth flute
- William Simms theorbo
- Joanna Blendulf viola da gamba
- Leslie Nero viola da gamba
- Niccolo Seligmann viola da gamba
- Amy Domingues viola da gamba
- Jessica Powell Eig violone
- John Walthausen organ
Anonymous Donor, underwriters